Only the Essentials.

Aman Essentials marked the brand’s expansion into leather goods, extending its world beyond hospitality through a collection designed for travel. The launch brought Aman into a new category while preserving the understated sensibility and exceptional standards that had long defined the brand and its experience.

Still life by Maxime Poiblanc was paired with Rémi Pujol’s black-and-white reportage from the French and Italian workshops, connecting the collection’s timeless forms to the craftsmanship behind each piece.

Into the World.

Following the launch, Marrakech became the first location chapter for Aman Essentials, moving the collection from sculptural still life into a more real world fashion representation. Featuring Erin Wasson, the campaign established how the pieces could live within the wider Aman experience without losing the restraint of the original launch.

Photographed by Kat Irlin at Amanjena and across Marrakech, the work introduced a warmer, earthier register through loosely observed moments shaped by travel, landscape, and personal style.

The Art of Arrival.

Venice expanded the Aman Essentials campaign following Marie von Behrens-Felipe and Alfonso Felipe, bringing the collection into a more personal, documentary setting. Moving between the city and Aman Venice, the chapter drew on the history and discovery of the destination while maintaining the campaign’s spirit of travel.

Photographed by Matthew Brookes, the work introduced a more cinematic point of view to urban exploration.

Into the Wild.

The final chapter took Aman Essentials to Amanera, featuring Cassandra Grey and Samantha Ronson along the Dominican Republic’s northern coast. The setting opened the campaign to a more untamed side of travel.

Photographed by Pamela Hanson, the work brought her naturalistic approach to the landscape and sense of escape.

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John Hardy